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home·artworks·Daughter of the Artist (Portrait of Ilona Lotz)
Daughter of the Artist (Portrait of Ilona Lotz) by Károly Lotz

plate no. 4979

Daughter of the Artist (Portrait of Ilona Lotz)

Károly Lotz

oilRomanticismportraitportraitfiguregirlhairdressnecklace
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering soft, diffused light. It also offers practice in creating subtle color variations and loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head and shoulders.

  2. step 02

    Establish the dark background using a mix of browns and blacks.

  3. step 03

    Block in the main areas of the face with light flesh tones, paying attention to the subtle shifts in color.

  4. step 04

    Begin to define the features of the face, such as the eyes, nose, and mouth, using small, careful brushstrokes.

  5. step 05

    Paint the hair with loose, flowing strokes, capturing the highlights and shadows.

  6. step 06

    Block in the white dress, using a variety of white and off-white tones to create depth and dimension.

  7. step 07

    Add details such as the lace collar and necklace.

  8. step 08

    Refine the painting, paying attention to the overall harmony of color and tone.

color palette

primary · titanium white · raw umber · burnt sienna

secondary · cadmium red light · ultramarine blue

Achieve the flesh tones by mixing titanium white, raw umber, and a touch of cadmium red light. Use ultramarine blue to cool down the skin tones and create shadows.

techniques

  • ·portrait sketching
  • ·alla prima
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the details, leading to a stiff and unnatural appearance.
  • →Failing to capture the subtle shifts in color and tone.
  • →Getting the proportions wrong, resulting in a distorted likeness.
  • →Using too much paint, creating a muddy and overworked effect.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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