
plate no. 6112
M. H. Maxy, 1926
Recreating this painting will help students understand cubist abstraction and how to simplify complex scenes into geometric shapes. It also provides practice in color blocking and creating depth through overlapping forms.
technical profile
approach — 8 steps
Sketch the basic shapes and composition, focusing on the overall arrangement of the main elements.
Block in the large areas of color, using simplified shapes and flat tones.
Define the main objects (figure, boat, chair, plant) with darker outlines and details.
Add secondary colors and highlights to create depth and interest.
Develop the background and surrounding areas, using geometric shapes and contrasting colors.
Refine the details and add texture with visible brushstrokes.
Adjust the color balance and value contrast to achieve a cohesive composition.
Add any final details or adjustments to complete the painting.
color palette
primary · ultramarine blue · yellow ochre · burnt umber · titanium white
secondary · cadmium red · sap green · ivory black
Mix various shades of blue by adding white or black to ultramarine. Create earthy tones by mixing yellow ochre and burnt umber. Achieve lighter shades by adding white to any color.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for better texture. Acrylics are faster drying, while oils allow for more blending time.
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