
plate no. 6828
Recreating this painting will help students develop skills in portraiture, glazing techniques, and creating aged textures. It also provides practice in rendering drapery and symbolic elements.
technical profile
approach — 8 steps
Prepare a toned canvas with a warm underpainting.
Sketch the basic figure and flag composition lightly.
Block in the main color areas: skin tones, robes, flag, and background.
Develop the face with subtle shading and highlights, paying attention to the eyes and mouth.
Layer glazes of color to build depth and richness in the robes and flag.
Add details to the background and halo, creating texture with dry brushing or stippling.
Refine the details of the hands and the folds of the drapery.
Add final highlights and shadows to enhance the three-dimensionality of the figure.
color palette
primary · gold ochre · burnt umber · purple · titanium white
secondary · red oxide · raw sienna · ivory black
Achieve the aged gold background by layering washes of raw sienna, gold ochre, and burnt umber. Mix skin tones with white, burnt umber, and a touch of red oxide. Create the purple robe by mixing red oxide and ivory black with white for highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
A smooth canvas is recommended for easier glazing. Consider using a pre-toned canvas to save time.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Calendar: January (Banquet Scene)
Limbourg brothers

St. Michael and St. John
Álvaro Pires de Évora

Archangel Michael
Álvaro Pires de Évora

Christ as Man of Sorrow
Stefan Lochner

Virgem Com O Menino
Álvaro Pires de Évora

Petrarch's Virgil (title page)
Simone Martini

David Imagines Christ Elevated Above All Other Beings
Limbourg brothers

Heavenly Host
Limbourg brothers