apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Cristo no Horto
Cristo no Horto by Gregorio Lopes

plate no. 9910

Cristo no Horto

Gregorio Lopes, 1539

oilNorthern Renaissancereligious paintingfigureslandscapetreesangelcrossreligious scene
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery painting, and creating atmospheric perspective in a landscape. It also provides practice in rendering subtle color variations and depicting complex compositions.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of figures.

  2. step 02

    Block in the main shapes and colors of the background landscape.

  3. step 03

    Establish the basic values and colors of the figures, focusing on the drapery.

  4. step 04

    Refine the details of the figures, including facial features and hands.

  5. step 05

    Add highlights and shadows to create depth and dimension.

  6. step 06

    Work on the details of the trees and foliage, using layering techniques.

  7. step 07

    Glaze thin layers of color to unify the painting and create atmospheric perspective.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · Prussian blue · Cadmium red · Yellow ochre · Titanium white

secondary · Burnt umber · Viridian green · Raw sienna

Mix greens by combining Prussian blue and Yellow ochre. Achieve skin tones by mixing Cadmium red, Yellow ochre, and Titanium white. Use Burnt umber to create shadows and depth.

techniques

  • ·Figure drawing
  • ·Drapery painting
  • ·Glazing
  • ·Atmospheric perspective
  • ·Layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurate proportions of the figures.
  • →Not creating enough depth in the landscape.

materials

surface · Stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (Prussian blue, Cadmium red, Yellow ochre, Titanium white, Burnt umber, Viridian green, Raw sienna)
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley