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home·artworks·Crisantemos
Crisantemos by Andres de Santa Maria

plate no. 5422

Crisantemos

Andres de Santa Maria, 1917

oilImpressionismflower paintingflowersvasetablestill lifechrysanthemums
some experience helpful

Recreating this painting will help students develop skills in layering paint, creating texture with brushstrokes, and mixing subtle color variations to represent light and shadow. It also provides practice in capturing the form of flowers and a vase with loose, expressive brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the vase, flowers, and table.

  2. step 02

    Block in the background with a thin layer of yellow and ochre.

  3. step 03

    Establish the dark areas of the leaves and the shadows within the flowers.

  4. step 04

    Begin layering the white and off-white tones of the chrysanthemums, using short, textured brushstrokes.

  5. step 05

    Add highlights to the flowers and vase to create a sense of depth and form.

  6. step 06

    Refine the details of the vase, paying attention to the subtle color variations.

  7. step 07

    Adjust the values and colors throughout the painting to create a cohesive and harmonious composition.

  8. step 08

    Add final touches to the background and table to complete the painting.

color palette

primary · titanium white · yellow ochre · burnt umber · ultramarine blue

secondary · cadmium yellow · alizarin crimson · sap green

Mix various shades of white by adding small amounts of yellow ochre, ultramarine blue, or alizarin crimson. Create the greens by mixing yellow ochre and ultramarine blue. Achieve the background color by mixing yellow ochre with a touch of burnt umber.

techniques

  • ·impasto
  • ·broken color
  • ·scumbling
  • ·color mixing
  • ·alla prima

common pitfalls

  • →Overblending the colors, resulting in a muddy appearance.
  • →Making the flowers too uniform and lacking in texture.
  • →Ignoring the subtle color variations in the vase and background.
  • →Losing the overall sense of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·#6 round brush
  • ·#8 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss
  • ·easel

Use a medium-textured canvas to enhance the brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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