
plate no. 8715
Pyotr Konchalovsky, 1916
Recreating this painting will help students understand color layering and broken color techniques to create depth and texture. It also provides practice in simplifying complex forms into geometric shapes, characteristic of Cubism.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the mountains, buildings, and trees, focusing on their relative positions.
Block in the main color areas for the sky, mountains, fields, and buildings with thin washes.
Begin layering colors within each area, using short, broken brushstrokes to create texture and variation.
Focus on capturing the light and shadow on the building and walls, using warmer tones for highlights and cooler tones for shadows.
Add details to the trees and foliage, using a variety of greens and browns.
Refine the shapes of the mountains and buildings, paying attention to their geometric forms.
Add final touches and highlights to bring the painting to life.
Consider adding a glaze to unify the colors.
color palette
primary · viridian green · yellow ochre · burnt sienna · titanium white
secondary · ultramarine blue · cadmium red · raw umber
Mix greens by combining viridian green with yellow ochre or ultramarine blue. Create earth tones by mixing burnt sienna with raw umber and titanium white. Achieve the roof color by mixing cadmium red with burnt sienna and a touch of yellow ochre.
techniques
common pitfalls
surface · stretched canvas
required
optional
Using a textured canvas can enhance the broken color effect. Consider using a limited palette to simplify color mixing.
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