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home·artworks·Crimea
Crimea by Pyotr Konchalovsky

plate no. 8715

Crimea

Pyotr Konchalovsky, 1916

oilCubismlandscapelandscapemountainsbuildingstreesskyrural
some experience helpful

Recreating this painting will help students understand color layering and broken color techniques to create depth and texture. It also provides practice in simplifying complex forms into geometric shapes, characteristic of Cubism.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the mountains, buildings, and trees, focusing on their relative positions.

  2. step 02

    Block in the main color areas for the sky, mountains, fields, and buildings with thin washes.

  3. step 03

    Begin layering colors within each area, using short, broken brushstrokes to create texture and variation.

  4. step 04

    Focus on capturing the light and shadow on the building and walls, using warmer tones for highlights and cooler tones for shadows.

  5. step 05

    Add details to the trees and foliage, using a variety of greens and browns.

  6. step 06

    Refine the shapes of the mountains and buildings, paying attention to their geometric forms.

  7. step 07

    Add final touches and highlights to bring the painting to life.

  8. step 08

    Consider adding a glaze to unify the colors.

color palette

primary · viridian green · yellow ochre · burnt sienna · titanium white

secondary · ultramarine blue · cadmium red · raw umber

Mix greens by combining viridian green with yellow ochre or ultramarine blue. Create earth tones by mixing burnt sienna with raw umber and titanium white. Achieve the roof color by mixing cadmium red with burnt sienna and a touch of yellow ochre.

techniques

  • ·broken color
  • ·color layering
  • ·geometric simplification
  • ·dry brush
  • ·scumbling

common pitfalls

  • →Over-blending the colors, which will flatten the image.
  • →Ignoring the geometric forms of the objects.
  • →Using too much detail, which will detract from the overall impression.
  • →Not varying the brushstrokes enough, resulting in a monotonous texture.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·mineral spirits or water for cleaning

optional

  • ·easel
  • ·painting medium
  • ·varnish

Using a textured canvas can enhance the broken color effect. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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