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home·artworks·Countess Vera Zavadovskaya
Countess Vera Zavadovskaya by Vladimir Borovikovsky

plate no. 9344

Countess Vera Zavadovskaya

Vladimir Borovikovsky

oilRococoportraitportraitfigurewomandresshairshawl
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in depicting fabric and creating soft, diffused lighting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, paying attention to the pose and overall composition.

  2. step 02

    Establish the background color with a thin wash of muted green and brown.

  3. step 03

    Block in the main areas of color: skin tones, hair, dress, and shawl.

  4. step 04

    Begin refining the skin tones, using subtle color variations to create form and volume.

  5. step 05

    Develop the details of the hair, using small brushstrokes to suggest texture and volume.

  6. step 06

    Work on the drapery of the dress and shawl, paying attention to the folds and highlights.

  7. step 07

    Add the details of the face, including the eyes, nose, and mouth.

  8. step 08

    Refine the overall painting, adjusting values and colors as needed to create a cohesive and harmonious image.

color palette

primary · titanium white · burnt umber · cadmium red · yellow ochre

secondary · ultramarine blue · viridian green · ivory black

Mix skin tones using white, yellow ochre, burnt umber, and a touch of red. Achieve the green background by mixing blue, yellow, and a touch of brown. The red shawl is a mix of cadmium red and a touch of burnt umber.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overmixing colors and creating muddy tones.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle value changes in the skin tones.
  • →Getting lost in details before establishing the overall form.
  • →Not paying attention to the light source and its effect on the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

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oil painting for beginners →how to learn by studying the masters →
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