
plate no. 1548
Joshua Reynolds, 1782
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting complex textures like fur and lace.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure, focusing on the head and shoulders.
Establish the background with a dark, neutral tone.
Block in the main areas of color for the skin, clothing, and fur, using thin washes.
Refine the skin tones with subtle variations in color and value, paying attention to highlights and shadows.
Add details to the clothing, including the lace collar and bows, using small brushes.
Render the fur texture with short, broken brushstrokes and varying values.
Adjust the overall values and colors to create a sense of depth and atmosphere.
Add final highlights and details to complete the painting.
color palette
primary · titanium white · raw umber · burnt sienna · cadmium yellow
secondary · alizarin crimson · ivory black
Mix skin tones by combining white, umber, sienna, and a touch of crimson. Use yellow and white for the lighter fur areas, and umber and black for the darker areas. Create the lace color by mixing white with a tiny amount of umber or sienna.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Louis XV, King of France
Charles-Andre van Loo (Carle van Loo)

William James
Joshua Reynolds

Wooded Landscape with Gypsies, Evening
George Lambert

Head of a Scholar
Giovanni Domenico Tiepolo

Gentleman and Wife
William Williams

Portrait of Antoine Watteau
Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV
Jean-Étienne Liotard

Mr. John Williams
Benjamin West