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Count Rumford by Thomas Gainsborough

plate no. 9966

Count Rumford

Thomas Gainsborough

oil, canvasRococoportraitportraitfigureclothingmalehistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone blending. It also provides practice in rendering fabric and textures, such as the ruffles and the jacket.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, paying attention to the head, shoulders, and the placement of features.

  2. step 02

    Establish the background with a thin wash of dark brown, gradually building up the darker tones.

  3. step 03

    Block in the main colors of the face, hair, and clothing, focusing on the overall values and color temperature.

  4. step 04

    Begin refining the facial features, paying close attention to the highlights and shadows to create form.

  5. step 05

    Work on the details of the hair, using small brushstrokes to create texture and volume.

  6. step 06

    Develop the clothing, focusing on the folds and highlights of the jacket and the ruffles of the shirt.

  7. step 07

    Add the gold trim and buttons, using a fine brush to create detail.

  8. step 08

    Refine the overall painting, adjusting values and colors as needed to create a cohesive and realistic portrait.

color palette

primary · cadmium red · titanium white · raw umber

secondary · yellow ochre · ivory black · ultramarine blue

Skin tones are achieved by mixing white, yellow ochre, and a touch of red and umber. The red jacket is a mix of cadmium red with touches of umber and yellow ochre for highlights and shadows. The background is primarily raw umber and ivory black.

techniques

  • ·portraiture
  • ·blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Incorrect proportions of the face and body.
  • →Overblending, resulting in a flat, lifeless appearance.
  • →Getting the skin tones wrong.
  • →Ignoring the subtle variations in color and value.
  • →Not capturing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is a good starting point.

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oil painting for beginners →how to learn by studying the masters →
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