apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Count Ivan Grigoryevich Chernyshov
Count Ivan Grigoryevich Chernyshov by Dmitry Levitzky

plate no. 4387

Count Ivan Grigoryevich Chernyshov

Dmitry Levitzky, 1790

oilRococoportraitportraitfigureclothinghistoricalman
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations, as well as rendering complex details like fabric and ornamentation.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the figure's pose and proportions on the canvas.

  2. step 02

    Establish the background color with a thin wash of green and brown.

  3. step 03

    Block in the main shapes of the clothing, focusing on the overall color and value.

  4. step 04

    Start building up the skin tones with layers of thin paint, paying attention to highlights and shadows.

  5. step 05

    Refine the details of the face, including the eyes, nose, and mouth.

  6. step 06

    Add the details of the clothing, including the gold embroidery, ribbons, and medals.

  7. step 07

    Pay close attention to the lace details on the cuffs and collar.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · titanium white · ivory black · cadmium red · yellow ochre

secondary · viridian green · burnt umber · gold

Achieve skin tones by mixing white, yellow ochre, cadmium red, and a touch of black; create the green of the vest by mixing viridian green, yellow ochre, and a touch of burnt umber.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·rendering
  • ·color mixing

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overworking the skin tones and creating a muddy effect.
  • →Getting lost in the details of the clothing before establishing the overall form.
  • →Failing to create a sense of depth and dimension.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·viridian green oil paint
  • ·burnt umber oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a medium like linseed oil to thin the paint and improve flow.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West