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home·artworks·Cotyo, Perfica, Volupie
Cotyo, Perfica, Volupie by Felix Labisse

plate no. 5209

Cotyo, Perfica, Volupie

Felix Labisse, 1963

oilSurrealismsymbolic paintingfiguresdraperyskynudesportraitssurreal
experienced study

Recreating this painting will help students develop skills in smooth blending, color mixing for skin tones, and rendering drapery with subtle shading. It also requires careful observation of anatomical forms and proportions.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figures, paying attention to their poses and relative positions.

  2. step 02

    Block in the background with broad strokes of blue and grey, creating a sense of depth.

  3. step 03

    Establish the basic skin tones for each figure, using a light base color and gradually building up shadows and highlights.

  4. step 04

    Carefully blend the skin tones to create smooth transitions and realistic forms.

  5. step 05

    Paint the drapery, paying attention to the folds and shadows to create a sense of volume.

  6. step 06

    Add details to the faces, including the eyes, nose, and mouth, using fine brushes and subtle color variations.

  7. step 07

    Refine the overall composition, adjusting colors and values as needed to create a harmonious and balanced image.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · raw umber · ultramarine blue · cadmium red light

secondary · ivory black · yellow ochre · alizarin crimson

Skin tones are achieved by mixing titanium white, raw umber, cadmium red light, and a touch of yellow ochre. Blues for the sky are created by mixing ultramarine blue with white. The drapery colors are variations of red, blue and white.

techniques

  • ·smooth blending
  • ·glazing
  • ·color mixing for skin tones
  • ·rendering drapery
  • ·subtle shading

common pitfalls

  • →overblending skin tones (losing form)
  • →inaccurate proportions
  • →muddy colors
  • →neglecting subtle value changes
  • →getting the facial features wrong

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·assorted round and flat brushes
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a medium to improve blending and drying time.

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oil painting for beginners →how to learn by studying the masters →
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