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home·artworks·COTTAGES ON THE OUTSKIRTS OFBANFFY-HUNYAD
COTTAGES ON THE OUTSKIRTS OFBANFFY-HUNYAD by Marianne Stokes

plate no. 9358

COTTAGES ON THE OUTSKIRTS OFBANFFY-HUNYAD

Marianne Stokes, 1909

oilImpressionismlandscapebuildingslandscapeanimalsskycloudsfigure
some experience helpful

Recreating this painting will help students practice creating depth through atmospheric perspective and learn to simplify complex forms into basic shapes. It also provides practice in rendering textures with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, horizon line, and major elements like the ox and cart.

  2. step 02

    Block in the sky with light blue, adding soft white clouds.

  3. step 03

    Establish the base color of the ground with a mix of browns and yellows.

  4. step 04

    Paint the buildings with white, adding shadows with grays and browns.

  5. step 05

    Add the dark brown color for the roofs, using short brushstrokes to suggest texture.

  6. step 06

    Paint the ox and cart with dark browns and blacks, simplifying the details.

  7. step 07

    Add the geese with white and gray, using quick, gestural strokes.

  8. step 08

    Refine details and add highlights to create depth and interest.

color palette

primary · sky blue · titanium white · burnt umber · yellow ochre

secondary · raw sienna · ivory black · sap green

Mix various shades of brown for the ground and roofs by combining burnt umber, yellow ochre, and a touch of black. Create the sky by mixing sky blue with white, and add a touch of yellow for a warmer tone.

techniques

  • ·dry brush texture
  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·simplifying forms

common pitfalls

  • →Overworking the details, losing the impressionistic feel.
  • →Creating too much contrast, making the painting look harsh.
  • →Not simplifying the forms enough, resulting in a cluttered composition.
  • →Ignoring atmospheric perspective, making the background appear flat.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·acrylic or oil paints
  • ·round brushes (#2, #6)
  • ·flat brush (#8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a limited palette to simplify color mixing. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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