apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Consecration of the herm
Consecration of the herm by Fyodor Bronnikov

plate no. 1716

Consecration of the herm

Fyodor Bronnikov, 1874

oilAcademicismgenre paintingfigureslandscapestatueceremonytreesclassical
experienced study

Recreating this painting will help students develop skills in figure drawing, atmospheric perspective, and rendering realistic textures. It also provides practice in composing a complex scene with multiple focal points.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major figures and landscape elements, paying attention to proportions and placement.

  2. step 02

    Establish the background using thin washes of color, focusing on atmospheric perspective to create depth.

  3. step 03

    Block in the main figures with basic skin tones and drapery colors, defining the light and shadow areas.

  4. step 04

    Refine the details of the figures, including facial features, clothing folds, and anatomical accuracy.

  5. step 05

    Add details to the landscape, such as trees, foliage, and ground textures, using a variety of brushstrokes.

  6. step 06

    Pay attention to the statue, rendering its form and texture with careful observation of light and shadow.

  7. step 07

    Introduce smaller details like the donkey, pottery, and flowers to add visual interest.

  8. step 08

    Apply final glazes and highlights to enhance the overall realism and luminosity of the painting.

color palette

primary · titanium white · raw umber · yellow ochre · cadmium red

secondary · ultramarine blue · viridian green · burnt sienna · ivory black

Achieve skin tones by mixing white, yellow ochre, and a touch of red and umber. Create atmospheric perspective by adding blue and white to distant colors.

techniques

  • ·figure drawing
  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of figures
  • →Lack of depth in the landscape
  • →Overly saturated colors
  • →Ignoring light and shadow relationships

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

The age

The age

Ludwig Knaus