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home·artworks·Claude Lamorrise with two Tibetan Dogs
Claude Lamorrise with two Tibetan Dogs by Marevna (Marie Vorobieff)

plate no. 0810

Claude Lamorrise with two Tibetan Dogs

Marevna (Marie Vorobieff)

oilCubismnude painting (nu)figuredogsinteriorplantcouchnude
some experience helpful

Recreating this painting will help students develop skills in simplified form representation and color blocking, as well as understanding how to create a sense of depth through overlapping shapes and color variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of the figure, dogs, and background elements.

  2. step 02

    Block in the large areas of color, using simplified shapes and planes.

  3. step 03

    Refine the shapes and forms of the figure and dogs, paying attention to the anatomical structure.

  4. step 04

    Add details to the background elements, such as the plant and the couch.

  5. step 05

    Introduce subtle color variations and highlights to create depth and dimension.

  6. step 06

    Define the edges of the shapes with darker or lighter tones to create contrast.

  7. step 07

    Add final details, such as the facial features of the figure and dogs.

  8. step 08

    Review and adjust the overall composition and color balance.

color palette

primary · red · yellow ochre · ultramarine blue · titanium white

secondary · sap green · burnt umber · cadmium yellow light

Mix various shades of skin tones by combining yellow ochre, red, and white. Achieve the green hues by mixing blue and yellow, and adjust the intensity with white or umber.

techniques

  • ·color blocking
  • ·simplified form
  • ·dry brushing
  • ·layering
  • ·geometric abstraction

common pitfalls

  • →Overcomplicating the shapes and forms
  • →Using too many colors
  • →Ignoring the underlying structure of the figure
  • →Creating muddy colors by over-mixing
  • →Failing to establish a clear focal point

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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