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home·artworks·Classical Landscape
Classical Landscape by George Lambert

plate no. 5290

Classical Landscape

George Lambert, 1745

oilRococolandscapelandscapetreesfiguresarchitectureskyhills
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in rendering figures within a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the major elements: trees, figures, architecture, and hills.

  2. step 02

    Establish the sky with light blues and whites, blending softly to create a sense of atmosphere.

  3. step 03

    Block in the distant hills and architecture with muted greens and grays, paying attention to value to indicate distance.

  4. step 04

    Paint the middle ground with darker greens and browns, adding details to the trees and foliage.

  5. step 05

    Add the figures in the foreground, using warm tones for their clothing and skin.

  6. step 06

    Refine the details of the trees, adding highlights and shadows to create depth and texture.

  7. step 07

    Glaze the painting with thin layers of color to unify the composition and enhance the atmospheric perspective.

  8. step 08

    Add final highlights and details to the figures and foreground elements.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium red · sap green

Mix greens by combining yellow ochre and ultramarine blue. Create muted tones by adding burnt umber to your colors. Achieve atmospheric perspective by lightening and desaturating colors as they recede into the distance.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·glazing
  • ·soft blending
  • ·rendering figures

common pitfalls

  • →overworking details in the background
  • →creating too much contrast in the distance
  • →making the figures too prominent
  • →not achieving a sense of depth

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·round brushes
  • ·flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Thin your paints with linseed oil or turpentine to create glazes.

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oil painting for beginners →how to learn by studying the masters →
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