apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Clarissa Seymour (later Mrs. Truman Marsh)
Clarissa Seymour (later Mrs. Truman Marsh) by Ralph Earl

plate no. 8333

Clarissa Seymour (later Mrs. Truman Marsh)

Ralph Earl, 1789

oilRococoportraitportraitfigurelandscapetreesdresssky
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating a sense of depth in a landscape.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the proportions and placement of the figure and landscape.

  2. step 02

    Block in the main shapes and colors of the background landscape, focusing on creating a sense of depth.

  3. step 03

    Roughly sketch the figure's pose and clothing, paying attention to the folds and drapery.

  4. step 04

    Establish the basic skin tones and facial features, focusing on accurate proportions and values.

  5. step 05

    Develop the details of the dress, including the lace pattern and the contrast between the pink and white fabrics.

  6. step 06

    Add the black ribbon and other accessories, paying attention to their texture and form.

  7. step 07

    Refine the facial features and add highlights and shadows to create a sense of volume.

  8. step 08

    Add final details and adjust values to create a cohesive and balanced composition.

color palette

primary · titanium white · ivory black · burnt umber · cadmium red

secondary · yellow ochre · sap green · ultramarine blue

Mix various shades of pink by combining cadmium red and titanium white. Use burnt umber and ivory black to create the dark tones in the background and clothing. Mix greens with yellow ochre and ultramarine blue.

techniques

  • ·portraiture
  • ·fabric rendering
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions in the figure.
  • →Overworking the details before establishing the overall composition.
  • →Failing to create a sense of depth in the landscape.
  • →Inaccurate skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West