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home·artworks·Ciudá y abismos
Ciudá y abismos by Xul Solar

plate no. 6350

Ciudá y abismos

Xul Solar, 1946

watercolor, temperaSurrealismcityscapecityscapebuildingsarchitecturefiguresbridgesfantasy
some experience helpful

Recreating this painting will help students develop skills in linear perspective, creating depth with value, and rendering architectural forms with simplified shapes. It also encourages imaginative composition and storytelling through visual elements.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the buildings and bridges.

  2. step 02

    Establish the darkest areas of the sky and shadows using a dark brown or black.

  3. step 03

    Begin layering the lighter tones on the buildings and structures, using a diluted brown or gray.

  4. step 04

    Add details to the buildings, such as windows and architectural features, using a fine brush or pen.

  5. step 05

    Create texture on the buildings by using dry brush techniques or hatching with a pencil.

  6. step 06

    Paint the figures and other small details, paying attention to their scale and placement within the scene.

  7. step 07

    Refine the values and add highlights to create depth and dimension.

  8. step 08

    Add final touches and adjust the overall composition as needed.

color palette

primary · sepia · ivory black · titanium white

secondary · raw umber · payne's gray

Mix sepia with white to create various shades of gray and brown. Use black sparingly for the darkest shadows. Add a touch of raw umber for warmer tones.

techniques

  • ·linear perspective
  • ·value shading
  • ·dry brushing
  • ·hatching
  • ·atmospheric perspective

common pitfalls

  • →Overcomplicating the details of the buildings.
  • →Failing to establish a strong value contrast.
  • →Ignoring the perspective and spatial relationships.
  • →Using colors that are too saturated or bright.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper
  • ·watercolor paints (sepia, ivory black, titanium white, raw umber)
  • ·round brushes (various sizes)
  • ·fine liner brush
  • ·pencil
  • ·eraser
  • ·palette
  • ·water container

optional

  • ·ruler
  • ·masking fluid
  • ·palette knife

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve varying levels of detail.

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related guides

watercolor techniques →how to learn by studying the masters →
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