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home·artworks·Church of the Minorities in Erfurt I
Church of the Minorities in Erfurt I by Lyonel Feininger

plate no. 5846

Church of the Minorities in Erfurt I

Lyonel Feininger, 1924

oilCubismcityscapecityscapearchitecturebuildingsfiguresgeometric shapessky
some experience helpful

Recreating this painting will help students understand how to simplify complex scenes into geometric forms and use a limited palette to create depth and atmosphere. It also encourages experimentation with layering and blending to achieve subtle color transitions.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic geometric shapes and lines of the buildings and composition, focusing on the angles and proportions.

  2. step 02

    Establish the horizon line and the general placement of the architectural elements.

  3. step 03

    Block in the main color areas using thin washes of paint, starting with the sky and background.

  4. step 04

    Gradually build up the color layers, adding darker tones to create shadows and depth.

  5. step 05

    Refine the shapes and edges of the buildings, paying attention to the interplay of light and shadow.

  6. step 06

    Add details such as windows and figures, keeping them simple and stylized.

  7. step 07

    Blend the edges of the color blocks to create smooth transitions and a sense of atmosphere.

  8. step 08

    Add final highlights and details to enhance the overall composition.

color palette

primary · yellow ochre · burnt umber · ultramarine blue

secondary · cadmium red · sap green

Mix yellow ochre with burnt umber to create the warm tones of the buildings. Use ultramarine blue for the sky, and mix it with yellow ochre and burnt umber to create the greenish-gray tones in the background. Add cadmium red for the figures and roof.

techniques

  • ·geometric abstraction
  • ·color blocking
  • ·glazing
  • ·dry brushing
  • ·blending

common pitfalls

  • →Overcomplicating the shapes and details.
  • →Using too many colors, which can muddy the overall effect.
  • →Ignoring the importance of value contrast.
  • →Not paying attention to the angles and proportions of the geometric forms.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·medium gloss
  • ·easel
  • ·ruler

Use a medium-grain canvas for best results. Acrylic paints are more beginner-friendly due to their faster drying time.

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related guides

oil painting for beginners →how to learn by studying the masters →
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