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home·artworks·Church of the Minorites II
Church of the Minorites II by Lyonel Feininger

plate no. 5196

Church of the Minorites II

Lyonel Feininger

oil, canvasCubismcityscapecityscapearchitecturechurchbuildingsgeometric shapesfigures
some experience helpful

Recreating this painting will help students understand geometric abstraction and how to use value and color to create depth and form within a limited palette. It also provides practice in creating a sense of light and atmosphere through subtle color variations.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic geometric shapes and lines of the buildings and church.

  2. step 02

    Establish the main value ranges (light, medium, dark) in each geometric area.

  3. step 03

    Begin filling in the larger areas with the dominant colors, focusing on accurate value relationships.

  4. step 04

    Mix and apply subtle color variations within each area to create depth and form.

  5. step 05

    Refine the edges of the geometric shapes, softening some and sharpening others.

  6. step 06

    Add the small figures in the background and the red figure in the foreground.

  7. step 07

    Adjust the overall color harmony and value contrast to achieve the desired effect.

  8. step 08

    Add final details, such as the window details in the church.

color palette

primary · raw umber · titanium white · ultramarine blue

secondary · yellow ochre · burnt sienna · cadmium red light

Mix various shades of brown and gray by combining raw umber, ultramarine blue, and titanium white. Use yellow ochre and burnt sienna to create warmer tones for the buildings. Add small amounts of cadmium red light for the red figure.

techniques

  • ·geometric underpainting
  • ·value blocking
  • ·glazing
  • ·soft blending
  • ·color layering

common pitfalls

  • →Overcomplicating the color palette
  • →Inaccurate value relationships
  • →Losing the geometric structure
  • →Creating harsh lines instead of subtle transitions
  • →Ignoring the atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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