
plate no. 9404
Felix Vallotton, 1922
Recreating this painting will help students develop skills in color mixing to achieve muted tones and practice rendering textures of different materials like fabric, flowers, and ceramics. It also provides practice in observing and painting subtle variations in light and shadow.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and composition, paying attention to proportions.
Establish the background colors, starting with the darkest areas.
Block in the main colors of the vase, flowers, leaves, and tablecloth.
Begin adding details to the flowers, focusing on the shapes and values of the petals.
Refine the shapes and colors of the leaves, adding highlights and shadows.
Develop the details of the vase, pin cushion, and other objects on the table.
Add final highlights and shadows to create depth and dimension.
Review the painting and make any necessary adjustments.
color palette
primary · burnt umber · yellow ochre · titanium white · cadmium red
secondary · sap green · ultramarine blue · alizarin crimson
Achieve the muted tones by mixing complementary colors (e.g., red and green, blue and orange) with white. Use burnt umber and yellow ochre as a base for many of the earth tones.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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