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home·artworks·Christ's sermon in the temple
Christ's sermon in the temple by Alexander Ivanov

plate no. 0448

Christ's sermon in the temple

Alexander Ivanov

oilAcademicismsketch and studyfigurestemplearchitecturecolumnscrowdreligious scene
experienced study

Recreating this painting will help students develop skills in figure drawing, perspective, and creating atmospheric effects with watercolor washes. It also provides practice in depicting complex scenes with many figures.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main architectural elements: the columns and temple structure, paying attention to perspective.

  2. step 02

    Block in the large shapes of the figures, focusing on their poses and arrangement within the scene.

  3. step 03

    Apply a light wash of diluted yellow ochre or raw sienna to establish the overall warm tone of the painting.

  4. step 04

    Begin adding local colors to the figures, using a limited palette of earth tones, blues, and reds.

  5. step 05

    Develop the details of the architecture, adding shadows and highlights to create depth and dimension.

  6. step 06

    Refine the figures, adding details to their faces and clothing.

  7. step 07

    Use dry brush techniques to create texture in the architectural elements and clothing.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · yellow ochre · raw sienna · burnt umber · ultramarine blue

secondary · alizarin crimson · ivory black · titanium white

Mix earth tones with blue and white to create muted grays and browns for shadows and architectural details. Use diluted washes of primary colors to create the atmospheric perspective.

techniques

  • ·watercolor washes
  • ·dry brush
  • ·figure drawing
  • ·atmospheric perspective
  • ·linear perspective

common pitfalls

  • →Overworking the details and losing the freshness of the watercolor washes.
  • →Failing to establish a strong sense of perspective in the architectural elements.
  • →Making the figures too stiff and unnatural.
  • →Not creating enough variation in the values and colors.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·palette knife
  • ·ruler
  • ·kneaded eraser

Use high-quality watercolor paper to prevent buckling and allow for multiple washes. Experiment with different brush sizes and techniques to achieve the desired effects.

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oil painting for beginners →how to learn by studying the masters →
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