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home·artworks·Christoph von Scheurl
Christoph von Scheurl by Lucas Cranach the Elder

plate no. 5703

Christoph von Scheurl

Lucas Cranach the Elder, 1509

oil, woodNorthern Renaissanceportraitportraitfigurefurjewelryclothinggreen background
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate skin tone mixing and rendering of fine details like jewelry and fur. It also provides practice in layering and glazing to achieve depth and luminosity.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Block in the main areas of color: skin tones, background green, fur, and clothing.

  3. step 03

    Begin layering and blending the skin tones, paying attention to subtle variations in color and value.

  4. step 04

    Add details to the face, such as the eyes, nose, and mouth, using small brushes and careful observation.

  5. step 05

    Work on the fur collar, using short, broken brushstrokes to create texture and depth.

  6. step 06

    Paint the clothing, including the patterns and folds, using a combination of opaque and transparent layers.

  7. step 07

    Add the jewelry and rings, paying attention to the highlights and shadows.

  8. step 08

    Refine the details and adjust the overall composition as needed.

color palette

primary · titanium white · yellow ochre · raw umber · cadmium red light

secondary · viridian green · ivory black · gold

Skin tones can be achieved by mixing white, yellow ochre, and a touch of red. Use raw umber to create shadows and depth. The green background is a mix of viridian green and yellow ochre, lightened with white. The fur is a mix of raw umber and black, highlighted with lighter browns.

techniques

  • ·portraiture
  • ·glazing
  • ·layering
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the subtle variations in color.
  • →Making the fur look flat and lifeless.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (small round, flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will be easier to work with for blending and layering.

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