apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Christ of the Cornfield
Christ of the Cornfield by Frank Dicksee

plate no. 5684

Christ of the Cornfield

Frank Dicksee, 1888

oilRomanticismreligious paintingfigureportraitrobeskywheatlandscape
some experience helpful

Recreating this painting will help students develop skills in portraiture, drapery rendering, and subtle color blending to create realistic skin tones and fabric folds. Students will also learn about creating a soft, diffused light effect.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the background sky and landscape with thin washes of color.

  3. step 03

    Block in the main shapes of the figure and robe, paying attention to the overall light and shadow patterns.

  4. step 04

    Begin refining the facial features, focusing on accurate proportions and subtle value changes.

  5. step 05

    Develop the drapery of the robe, using highlights and shadows to create a sense of volume and form.

  6. step 06

    Add details to the hair, beard, and hands, paying attention to individual strands and textures.

  7. step 07

    Paint the wheat stalks, adding subtle variations in color and value.

  8. step 08

    Refine the overall painting, adjusting values and colors as needed to create a cohesive and harmonious image.

color palette

primary · titanium white · raw umber · yellow ochre · ultramarine blue

secondary · burnt sienna · cadmium yellow light · ivory black

Mix various shades of white with small amounts of yellow ochre, raw umber, and burnt sienna to create the skin tones and robe colors. Use ultramarine blue and white for the sky, and mix greens and browns for the landscape.

techniques

  • ·portraiture
  • ·drapery rendering
  • ·glazing
  • ·soft blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong foundation of values and proportions.
  • →Using colors that are too saturated or intense.
  • →Ignoring the subtle variations in color and value that create a sense of realism.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended for beginners.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke