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home·artworks·Christ in silence (Grey Passion-9)
Christ in silence (Grey Passion-9) by Hans Holbein the Elder

plate no. 1125

Christ in silence (Grey Passion-9)

Hans Holbein the Elder, 1500

oilInternational Gothicreligious paintingfiguresreligious scenearmorcrown of thornstoolsgroup portrait
experienced study

Recreating this painting will help students develop skills in figure drawing, rendering drapery, and creating subtle tonal variations in a limited color palette. It also offers practice in depicting complex interactions between multiple figures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and their positions.

  2. step 02

    Establish the background color with a thin wash of dark green.

  3. step 03

    Block in the main shapes of the figures with a mid-tone of off-white/beige.

  4. step 04

    Start adding shadows and highlights to the figures to define their forms, focusing on the drapery folds.

  5. step 05

    Develop the details of the faces, armor, and other objects, paying attention to the light and shadow.

  6. step 06

    Refine the colors and values, gradually building up the layers of paint.

  7. step 07

    Add the final details, such as the crown of thorns, the tools, and the subtle textures.

  8. step 08

    Glaze with thin layers to unify the colors and create depth.

color palette

primary · ivory black · raw umber · titanium white

secondary · burnt sienna · yellow ochre

Mix various shades of off-white and beige by combining white with small amounts of raw umber, burnt sienna, and yellow ochre. Use ivory black sparingly to create shadows and depth.

techniques

  • ·grisaille underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·figure drawing

common pitfalls

  • →Overworking the details too early
  • →Creating muddy colors by overmixing
  • →Ignoring the underlying structure of the figures
  • →Failing to establish a clear light source

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·#2 round brush
  • ·#4 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·damar varnish
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.

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