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home·artworks·Christ Appearing to Mary Magdalen (Noli Me Tangere)
Christ Appearing to Mary Magdalen (Noli Me Tangere) by Graham Sutherland

plate no. 9519

Christ Appearing to Mary Magdalen (Noli Me Tangere)

Graham Sutherland, 1961

oilSurrealismreligious paintingfiguresstairsarchitecturereligious scenegarden
some experience helpful

Recreating this painting will help students practice expressive brushstrokes and color mixing to create a sense of depth and emotion. It also encourages simplification of complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of figures and architectural elements.

  2. step 02

    Block in the large areas of color: red for the wall, green for the background, and initial tones for the figures.

  3. step 03

    Develop the color variations within each area, using broken color and visible brushstrokes.

  4. step 04

    Refine the shapes of the figures, paying attention to the drapery and anatomical details.

  5. step 05

    Add highlights and shadows to create depth and form.

  6. step 06

    Introduce smaller details like the window frame and foliage.

  7. step 07

    Adjust the overall color balance and contrast to achieve the desired mood.

  8. step 08

    Add final touches and details with smaller brushes.

color palette

primary · cadmium red · emerald green · titanium white

secondary · cerulean blue · yellow ochre

Mix greens by blending emerald green with yellow ochre and white. Achieve the red-orange hues by mixing cadmium red with yellow ochre. Use cerulean blue to create cooler tones and shadows.

techniques

  • ·broken color
  • ·dry brush
  • ·scumbling
  • ·color layering
  • ·expressive brushwork

common pitfalls

  • →Overworking the details and losing the expressive quality.
  • →Creating muddy colors by over-mixing.
  • →Ignoring the underlying structure and form.
  • →Failing to capture the emotional intensity of the scene.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →how to learn by studying the masters →
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