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home·artworks·Chiswick House, Middlesex
Chiswick House, Middlesex by George Lambert

plate no. 8592

Chiswick House, Middlesex

George Lambert, 1742

oilRococolandscapelandscapebuildingtreesfiguresskygarden
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering soft, diffused light. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition, focusing on the placement of the building, figures, and horizon line.

  2. step 02

    Block in the sky with broad washes of light blue and white, paying attention to the cloud formations.

  3. step 03

    Establish the basic tones of the landscape, differentiating between the foreground, middle ground, and background.

  4. step 04

    Paint the building using a light beige or cream color, adding subtle shadows to define its form.

  5. step 05

    Add the trees and foliage, using a variety of greens and browns to create depth and texture.

  6. step 06

    Paint the figures, paying attention to their proportions and clothing details.

  7. step 07

    Refine the details of the foreground, including the grass, hedge, and balustrade.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of depth and realism.

color palette

primary · sky blue · titanium white · yellow ochre · sap green

secondary · burnt umber · raw sienna · cadmium red light

Mix greens by blending yellow ochre and sap green. Achieve atmospheric perspective by adding white to colors as they recede into the distance.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·soft blending
  • ·rendering fabric
  • ·linear perspective

common pitfalls

  • →Overworking the details in the foreground, which can flatten the composition.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Using overly saturated colors, which can detract from the painting's overall harmony.
  • →Ignoring the subtle variations in tone and color within the landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)
  • ·odorless mineral spirits (if using oils)

optional

  • ·medium gloss
  • ·retarder medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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