apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Chateau Gaillard at Andelys
Chateau Gaillard at Andelys by Felix Vallotton

plate no. 0785

Chateau Gaillard at Andelys

Felix Vallotton, 1924

oil, canvasMagic Realismlandscapecastlelandscapehillstowerskyvegetation
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and form, and in simplifying complex shapes into basic geometric forms. It also provides practice in creating a sense of atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the castle, hills, and tower, paying attention to proportions.

  2. step 02

    Block in the main color areas with thin washes, starting with the sky and distant hills.

  3. step 03

    Layer darker tones to define the shadows on the castle and rocks.

  4. step 04

    Add highlights to the sunlit areas of the hills and tower.

  5. step 05

    Paint the details of the vegetation, using small brushstrokes to create texture.

  6. step 06

    Refine the shapes and edges of the forms, paying attention to the transitions between light and shadow.

  7. step 07

    Add the details of the vineyard rows.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · burnt umber · yellow ochre · titanium white · ultramarine blue

secondary · sap green · raw sienna

Mix various shades of brown and gray by combining burnt umber, yellow ochre, and ultramarine blue. Use white to lighten the colors and create highlights. Mix greens by combining yellow ochre and ultramarine blue.

techniques

  • ·layering
  • ·color mixing
  • ·blocking in
  • ·atmospheric perspective
  • ·geometric simplification

common pitfalls

  • →getting the proportions wrong
  • →overworking the details
  • →not creating enough contrast
  • →muddying the colors

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·sap green oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-grain canvas for best results. Allow each layer of paint to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Birth of the Earth

Birth of the Earth

Nina Tokhtaman Valetova

Soundscape

Soundscape

Abdul Mati Klarwein

Le poisson choa

Le poisson choa

Nicolae Maniu

Hidden Pasture

Hidden Pasture

Eyvind Earle

Pacific

Pacific

Alex Colville

Poet With Flower

Poet With Flower

Stefan Caltia

Canzone

Canzone

Antonio Donghi

Trinity of the Mount

Trinity of the Mount

Felix Vallotton