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home·artworks·Charlotte Bettesworth (c.1755–1841), Mrs John Sargent
Charlotte Bettesworth (c.1755–1841), Mrs John Sargent by George Romney

plate no. 4078

Charlotte Bettesworth (c.1755–1841), Mrs John Sargent

George Romney, 1778

oilRococoportraitportraitfiguredresslandscapeskybook
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric folds, as well as practicing soft blending techniques to create subtle transitions in skin tones and drapery.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and key elements.

  2. step 02

    Block in the main color areas: skin tones, dress, background, and furniture.

  3. step 03

    Refine the skin tones with subtle layers of color, paying attention to highlights and shadows.

  4. step 04

    Develop the folds and highlights in the dress, using a combination of blending and slightly visible brushstrokes.

  5. step 05

    Paint the background landscape and sky, focusing on soft transitions and atmospheric perspective.

  6. step 06

    Add details to the face, hair, and jewelry, using smaller brushes.

  7. step 07

    Refine the details of the book and furniture.

  8. step 08

    Add final highlights and shadows to enhance the overall depth and realism.

color palette

primary · titanium white · raw umber · cadmium red light · yellow ochre

secondary · ultramarine blue · alizarin crimson · ivory black

Achieve skin tones by mixing titanium white, yellow ochre, and cadmium red light, with small amounts of raw umber for shadows. Mix white with a touch of ultramarine blue and alizarin crimson for the dress highlights and shadows.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·fabric rendering
  • ·atmospheric perspective

common pitfalls

  • →Overblending, resulting in a flat, lifeless appearance.
  • →Inaccurate proportions in the initial sketch.
  • →Ignoring subtle color variations in the skin tones.
  • →Overworking details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to improve blending and drying time.

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oil painting for beginners →how to learn by studying the masters →
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