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home·artworks·Charles Jenkinson, 1st Earl of Liverpool
Charles Jenkinson, 1st Earl of Liverpool by George Romney

plate no. 6600

Charles Jenkinson, 1st Earl of Liverpool

George Romney, 1788

oilRococoportraitportraitfigurechairclothingskycurtain
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as understanding color mixing for skin tones and fabric textures. Students will also learn about creating depth and atmosphere through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and chair.

  2. step 02

    Establish the background with broad strokes, blending the sky and curtain colors.

  3. step 03

    Block in the main shapes of the figure, including the jacket, shirt, and legs, using simplified color masses.

  4. step 04

    Begin refining the facial features, paying close attention to the light and shadow patterns.

  5. step 05

    Develop the details of the clothing, such as the folds in the jacket and the lace on the shirt.

  6. step 06

    Add details to the chair and other elements, such as the book and papers.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · cadmium red · titanium white · ivory black

secondary · yellow ochre · ultramarine blue · raw umber

Achieve skin tones by mixing white, yellow ochre, and a touch of red and umber. Create the red jacket by mixing cadmium red with varying amounts of umber and black for shadows, and white for highlights. Muted blues and grays are used for the sky.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Inconsistent brushwork that distracts from the overall image.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium (e.g., Liquin)
  • ·varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve blending and drying time.

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