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home·artworks·Charles Jenkinson (1727–1808), 1st Lord Hawkesbury (1780), afterwards Created 1st Earl of Liverpool (1796)
Charles Jenkinson (1727–1808), 1st Lord Hawkesbury (1780), afterwards Created 1st Earl of Liverpool (1796) by George Romney

plate no. 6024

Charles Jenkinson (1727–1808), 1st Lord Hawkesbury (1780), afterwards Created 1st Earl of Liverpool (1796)

George Romney, 1787

oilRococoportraitportraitfigurechairclothingskydrapery
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as blending techniques for creating soft transitions and subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the overall value structure with a thin wash of color.

  3. step 03

    Block in the main areas of color, such as the skin tones, clothing, and background.

  4. step 04

    Refine the facial features, paying close attention to the light and shadow.

  5. step 05

    Develop the details of the clothing, including the folds and textures.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Blend the edges of the forms to create a soft, realistic effect.

  8. step 08

    Add final details and adjustments to complete the painting.

color palette

primary · burnt sienna · ivory black · titanium white · cadmium red

secondary · yellow ochre · ultramarine blue

Mix skin tones using burnt sienna, cadmium red, yellow ochre, and titanium white. Achieve the burgundy color of the coat by mixing cadmium red, burnt sienna, and a touch of ivory black.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·value studies

common pitfalls

  • →Getting the proportions wrong, especially in the face.
  • →Overworking the details before establishing the overall value structure.
  • →Using too much paint and creating a muddy effect.
  • →Failing to blend the edges of the forms properly.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·#2 round brush
  • ·#6 flat brush
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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related guides

oil painting for beginners →how to learn by studying the masters →
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