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home·artworks·Charles-Claude Flahaut De La Billaderie
Charles-Claude Flahaut De La Billaderie by Joseph Duplessis

plate no. 2884

Charles-Claude Flahaut De La Billaderie

Joseph Duplessis, 1779

oil, canvasRococoportraitportraitfigureclothingfurniturescrollcolumn
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as rendering realistic fabric textures and folds.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on the proportions of the figure and the placement of key elements.

  2. step 02

    Establish the background with thin washes of color, gradually building up depth and detail.

  3. step 03

    Block in the main shapes of the figure, paying attention to the light and shadow patterns.

  4. step 04

    Start refining the facial features, focusing on accurate proportions and subtle value changes.

  5. step 05

    Develop the clothing, carefully rendering the folds and highlights to create a sense of volume and texture.

  6. step 06

    Add details such as the lace, medals, and scroll, paying attention to their individual textures and colors.

  7. step 07

    Refine the background and foreground elements, adding details to create depth and visual interest.

  8. step 08

    Make final adjustments to the overall composition, ensuring that all elements are balanced and harmonious.

color palette

primary · titanium white · alizarin crimson · ultramarine blue · yellow ochre

secondary · viridian · raw umber · ivory black

Achieve the pinks and purples of the clothing by mixing alizarin crimson with titanium white and a touch of ultramarine blue. Use yellow ochre and raw umber to create the warm tones of the skin and furniture.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·fabric rendering
  • ·chiaroscuro

common pitfalls

  • →Inaccurate proportions of the figure
  • →Overworking the details too early
  • →Failing to capture the subtle value changes in the face
  • →Creating muddy colors by overmixing
  • →Ignoring the overall composition and focusing too much on individual details

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

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