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home·artworks·Charlemagne, surrounded by his main officers, receives Alcuin
Charlemagne, surrounded by his main officers, receives Alcuin by Jean-Victor Schnetz

plate no. 9039

Charlemagne, surrounded by his main officers, receives Alcuin

Jean-Victor Schnetz, 1830

oil, canvasAcademicismhistory paintingfiguresinteriorhistoricalarchitecturethroneceremony
experienced study

Recreating this painting will help students develop skills in figure drawing, composition, and rendering of textures and drapery. It also provides practice in creating depth and atmosphere through color and value.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on the placement of figures and key architectural elements.

  2. step 02

    Establish the main light source and map out the areas of light and shadow.

  3. step 03

    Block in the main colors of the background, including the architecture and drapery.

  4. step 04

    Start painting the figures, beginning with the king and other central figures, paying attention to proportions and anatomy.

  5. step 05

    Develop the details of the clothing, faces, and other elements, using layering and glazing techniques.

  6. step 06

    Refine the lighting and shadows, adding highlights and deepening the dark areas.

  7. step 07

    Add final details, such as the patterns on the clothing, the textures of the architecture, and the expressions on the faces.

  8. step 08

    Review the painting and make any necessary adjustments to the composition, color, or value.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · viridian green · raw sienna

Achieve the muted tones by mixing complementary colors and adding white. Use glazes of transparent colors to create depth and luminosity.

techniques

  • ·figure drawing
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of figures
  • →Overly bright or saturated colors
  • →Lack of depth and atmosphere
  • →Poor rendering of textures
  • →Getting lost in details too early

materials

surface · stretched canvas

required

  • ·Stretched canvas 24x36
  • ·Oil paints (yellow ochre, ultramarine blue, burnt umber, titanium white, cadmium red, viridian green, raw sienna)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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oil painting for beginners →how to learn by studying the masters →
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