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home·artworks·Charity or The Indigent Family
Charity or The Indigent Family by William-Adolphe Bouguereau

plate no. 6099

Charity or The Indigent Family

William-Adolphe Bouguereau, 1865

oil, canvasAcademicismgenre paintingfiguresfamilychildrenarchitecturepovertymother
experienced study

Recreating this painting will help students develop skills in figure drawing, portraiture, and creating a sense of depth through subtle value changes. It also provides practice in rendering realistic skin tones and drapery.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and architecture.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Begin refining the figures, paying close attention to anatomy and facial expressions.

  4. step 04

    Develop the drapery folds and textures, using a combination of blending and layering techniques.

  5. step 05

    Add details to the architectural elements, such as the columns and steps.

  6. step 06

    Refine the skin tones, using subtle glazes to create a sense of depth and realism.

  7. step 07

    Add highlights and shadows to create a sense of form and volume.

  8. step 08

    Make final adjustments to the composition and color balance.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · cadmium red · yellow ochre

Achieve skin tones by mixing white, red, yellow ochre, and a touch of blue. Use burnt umber and white for shadows and highlights. Mix ultramarine blue with burnt umber to create the darker tones in the clothing and background.

techniques

  • ·glazing
  • ·blending
  • ·scumbling
  • ·chiaroscuro
  • ·figure drawing

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the skin tones and losing the sense of realism.
  • →Failing to create a sense of depth in the background.
  • →Ignoring the subtle value changes that create form and volume.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface will be easier to blend on.

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