apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Character Study
Character Study by Toby Edward Rosenthal

plate no. 5317

Character Study

Toby Edward Rosenthal

charcoalAcademicismsketch and studyfigureportraitheadscarfold womanfaceclothing
some experience helpful

Recreating this drawing will help students develop skills in value shading, creating depth with charcoal, and capturing realistic textures and facial features. It also provides practice in loose sketching and confident mark-making.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, headscarf, and shoulders.

  2. step 02

    Establish the darkest areas of the drawing, such as the shadows under the headscarf and around the face.

  3. step 03

    Begin building up mid-tones using broad, light strokes of charcoal.

  4. step 04

    Refine the facial features, paying close attention to the wrinkles and contours of the face.

  5. step 05

    Add details to the headscarf and clothing, using a combination of soft shading and sharper lines.

  6. step 06

    Soften edges and blend areas to create a sense of depth and volume.

  7. step 07

    Use an eraser to lift out highlights and refine the overall composition.

  8. step 08

    Add final touches and details to complete the drawing.

color palette

primary · charcoal black · white

secondary · gray

Varying pressure and layering charcoal creates different shades of gray. Use blending tools to soften transitions.

techniques

  • ·charcoal blending
  • ·value shading
  • ·cross-hatching
  • ·erasing for highlights
  • ·loose sketching

common pitfalls

  • →Overworking the drawing and losing the loose, expressive quality.
  • →Failing to establish a full range of values, resulting in a flat or muddy image.
  • →Getting lost in details too early, before establishing the overall composition and proportions.
  • →Using too much pressure and making dark, uncorrectable marks.

materials

surface · Drawing paper (smooth or slightly textured)

required

  • ·Charcoal pencils (soft, medium, hard)
  • ·Kneaded eraser
  • ·Blending stump or tortillon
  • ·Drawing paper (toned or white)
  • ·Fixative spray
  • ·Pencil sharpener

optional

  • ·Chamois cloth
  • ·Ruler
  • ·Sandpaper block

Use a paper with some tooth to grab the charcoal. Experiment with different charcoal grades to achieve a range of values.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to draw →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

The age

The age

Ludwig Knaus