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home·artworks·Catherine Mordvinova
Catherine Mordvinova by Carl-Ludwig Johann Christineck

plate no. 6114

Catherine Mordvinova

Carl-Ludwig Johann Christineck, 1773

oilRococoportraitportraitfiguredressrococolacefan
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering fabric textures. It also provides practice in creating subtle gradations of color and value to create form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar neutral tone.

  3. step 03

    Block in the main areas of color, focusing on the yellow dress and the skin tones.

  4. step 04

    Begin to refine the facial features, paying close attention to the placement of the eyes, nose, and mouth.

  5. step 05

    Develop the details of the dress, including the lace, ribbons, and folds of fabric.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the background and add any final details.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the colors.

color palette

primary · yellow ochre · titanium white · ivory black · burnt umber

secondary · ultramarine blue · cadmium red

Mix various shades of yellow by combining yellow ochre with white and small amounts of burnt umber. Achieve skin tones by mixing white, yellow ochre, cadmium red, and a touch of burnt umber. Use ultramarine blue for the ribbons and to create shadows in the yellow dress.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·scumbling
  • ·rendering fabric

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the painting and losing the freshness of the colors.
  • →Failing to capture the likeness of the subject.
  • →Making the lace look flat and lifeless.
  • →Not creating enough contrast between light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grain canvas is recommended.

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oil painting for beginners →how to learn by studying the masters →
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