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home·artworks·Catedral São Luiz Gonzaga em Novo Hamburgo
Catedral São Luiz Gonzaga em Novo Hamburgo by Aldo Locatelli

plate no. 8647

Catedral São Luiz Gonzaga em Novo Hamburgo

Aldo Locatelli

oilAcademicismsymbolic paintingfiguresdraperywritingbookpointingclassical
some experience helpful

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through subtle value changes. It also provides practice in depicting realistic skin tones and textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the figures and major shapes, paying attention to proportions and composition.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure.

  3. step 03

    Refine the skin tones, using layers of color to build up depth and realism.

  4. step 04

    Develop the drapery folds, paying attention to how light and shadow define the form.

  5. step 05

    Add details to the faces, including the eyes, nose, and mouth.

  6. step 06

    Render the book and writing with careful attention to detail.

  7. step 07

    Adjust the overall values and colors to create a harmonious and balanced composition.

  8. step 08

    Add final highlights and details to enhance the realism of the painting.

color palette

primary · raw umber · titanium white · Prussian blue

secondary · burnt sienna · yellow ochre · ivory black

Mix skin tones by blending raw umber, burnt sienna, yellow ochre, and titanium white. Use Prussian blue mixed with raw umber and white for the blue drapery. Create shadows by adding ivory black to the base colors.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·glazing
  • ·color mixing
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions in the figures
  • →Overly harsh or flat skin tones
  • →Poorly defined drapery folds
  • →Lack of depth and dimension
  • →Inaccurate rendering of details

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·Prussian blue oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use high-quality oil paints for best results. Consider using a medium like linseed oil to improve the flow of the paint.

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oil painting for beginners →how to learn by studying the masters →
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