
plate no. 7699
Roger de La Fresnaye, 1922
This painting helps students understand simplified forms and geometric abstraction in portraiture. Recreating it will develop skills in color mixing for skin tones and creating depth with value changes.
technical profile
approach — 8 steps
Lightly sketch the basic geometric shapes of the figures and background.
Block in the large areas of color for the sky, clouds, and background.
Mix skin tone colors and apply them to the faces and hands, paying attention to light and shadow.
Define the geometric features of the faces, such as the nose and hairline, with darker values.
Add details to the hands and fingers, simplifying their forms.
Refine the shapes of the clouds and add subtle variations in color.
Adjust the values and colors throughout the painting to create a sense of depth and harmony.
Add any final details and highlights.
color palette
primary · raw umber · ultramarine blue · titanium white · burnt sienna
secondary · purple · black · yellow ochre
Mix skin tones by combining raw umber, burnt sienna, and white. Use ultramarine blue and white for the sky, and add a touch of purple for the darker areas.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Oil paints can be substituted with acrylics.
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