apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Castor and Pollux
Castor and Pollux by Roger de La Fresnaye

plate no. 7699

Castor and Pollux

Roger de La Fresnaye, 1922

oilCubismmythological paintingfigureportraitskycloudsmythologicalgeometric
some experience helpful

This painting helps students understand simplified forms and geometric abstraction in portraiture. Recreating it will develop skills in color mixing for skin tones and creating depth with value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic geometric shapes of the figures and background.

  2. step 02

    Block in the large areas of color for the sky, clouds, and background.

  3. step 03

    Mix skin tone colors and apply them to the faces and hands, paying attention to light and shadow.

  4. step 04

    Define the geometric features of the faces, such as the nose and hairline, with darker values.

  5. step 05

    Add details to the hands and fingers, simplifying their forms.

  6. step 06

    Refine the shapes of the clouds and add subtle variations in color.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and harmony.

  8. step 08

    Add any final details and highlights.

color palette

primary · raw umber · ultramarine blue · titanium white · burnt sienna

secondary · purple · black · yellow ochre

Mix skin tones by combining raw umber, burnt sienna, and white. Use ultramarine blue and white for the sky, and add a touch of purple for the darker areas.

techniques

  • ·geometric abstraction
  • ·value shading
  • ·color mixing
  • ·blocking in
  • ·simplification

common pitfalls

  • →Overcomplicating the forms
  • →Using too many colors
  • →Ignoring the value structure
  • →Not simplifying the hand
  • →Getting the proportions wrong

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·round brushes
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Oil paints can be substituted with acrylics.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Komposition

Komposition

Leo Leuppi

Landscape near Martigues

Landscape near Martigues

Andre Derain

Windmill

Windmill

Amadeo de Souza-Cardoso

Untitled (Husain's Family)

Untitled (Husain's Family)

M.F. Husain

At the bar

At the bar

Carlos Saenz de Tejada

Figures by a Rock Pool

Figures by a Rock Pool

Dorrit Black

Postava

Postava

Josef Capek

Gelmeroda III

Gelmeroda III

Lyonel Feininger