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home·artworks·Carrying the Cross
Carrying the Cross by Giovanni Battista Tiepolo

plate no. 8359

Carrying the Cross

Giovanni Battista Tiepolo, 1738

oil, canvasRococoreligious paintingfigurescrosshillskycloudsreligious scene
experienced study

Recreating this painting will develop skills in depicting complex figure arrangements and using a limited palette to create a sense of depth and atmosphere. Students will also learn to suggest detail through expressive brushwork rather than precise rendering.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main areas of color, focusing on the large shapes of the hill, sky, and groups of figures.

  3. step 03

    Establish the darkest and lightest values to create a sense of depth and form.

  4. step 04

    Develop the figures, paying attention to their gestures and expressions.

  5. step 05

    Add details to the foreground figures, such as clothing folds and facial features.

  6. step 06

    Refine the background figures, using looser brushwork to suggest detail.

  7. step 07

    Glaze thin layers of color to unify the painting and create subtle variations in tone.

  8. step 08

    Add final highlights and shadows to enhance the sense of drama.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · cadmium red · ultramarine blue

Achieve the flesh tones by mixing burnt umber, raw sienna, and titanium white. Use ultramarine blue to create shadows and cool tones in the sky and clothing. Mix cadmium red with burnt umber to create the red flag.

techniques

  • ·chiaroscuro
  • ·scumbling
  • ·glazing
  • ·alla prima
  • ·implied detail

common pitfalls

  • →Getting bogged down in detail too early.
  • →Failing to establish a strong value structure.
  • →Overworking the painting and losing the freshness of the brushwork.
  • →Inaccurate proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·retouch varnish
  • ·painting medium

Use a medium-grit canvas to allow for expressive brushwork. Consider using a toned canvas to establish a base color.

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