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home·artworks·Cardinal Bessarione
Cardinal Bessarione by Justus van Gent

plate no. 0004

Cardinal Bessarione

Justus van Gent, 1476

panel, oilNorthern Renaissanceportraitportraitfigurebookrobehatinterior
some experience helpful

Recreating this painting will help students develop skills in portraiture, including rendering realistic skin tones and drapery folds. It also provides practice in depicting textures and subtle gradations of light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, book, and background.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin refining the skin tones, using layers of thin glazes to build up depth and luminosity.

  4. step 04

    Paint the robe, paying close attention to the way the fabric folds and drapes.

  5. step 05

    Render the book, focusing on the texture and details of the cover.

  6. step 06

    Add the details of the face, including the eyes, nose, and mouth.

  7. step 07

    Refine the background and add any final details.

  8. step 08

    Glaze and varnish the finished painting to protect it and enhance its colors.

color palette

primary · ivory black · burnt umber · cadmium red · yellow ochre

secondary · viridian · titanium white

Mix skin tones by blending yellow ochre, cadmium red, and titanium white. Use ivory black and burnt umber for the dark areas of the robe. Mix viridian with yellow ochre for the green background.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·drapery studies

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish a strong value structure.
  • →Getting bogged down in details too early.
  • →Not paying enough attention to the proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·damar varnish
  • ·medium

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve their flow.

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