apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Captain Robert Shore Milnes
Captain Robert Shore Milnes by Joseph Wright

plate no. 1823

Captain Robert Shore Milnes

Joseph Wright, 1772

oil, canvasRococoportraitfiguretreeslandscapehorsemilitaryportrait
experienced study

Recreating this painting will help students develop skills in portraiture, rendering realistic skin tones, and creating depth through atmospheric perspective. It also offers practice in depicting complex textures like fabric and foliage.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, trees, and horizon line.

  2. step 02

    Establish the main light source and block in the large shadow areas.

  3. step 03

    Begin painting the background, starting with the sky and distant landscape, using thin washes of color.

  4. step 04

    Develop the foliage of the trees, layering different shades of green and brown to create depth and texture.

  5. step 05

    Paint the figure, starting with the skin tones and then moving on to the clothing and accessories.

  6. step 06

    Add details to the horse and the figure holding it, paying attention to their relative scale.

  7. step 07

    Refine the details of the foreground, including the rocks and foliage.

  8. step 08

    Add final highlights and shadows to create a sense of realism and depth.

color palette

primary · ivory black · yellow ochre · cadmium red · ultramarine blue

secondary · burnt umber · raw sienna · titanium white

Mix various shades of green for the foliage by combining yellow ochre, ultramarine blue, and burnt umber. Achieve skin tones by blending titanium white, cadmium red, and yellow ochre, with touches of burnt umber for shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·portraiture

common pitfalls

  • →Incorrect proportions of the figure
  • →Overly saturated colors
  • →Lack of depth in the foliage
  • →Inconsistent light source

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·color charts

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West