apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Captain Arthur Forbes
Captain Arthur Forbes by George Romney

plate no. 0680

Captain Arthur Forbes

George Romney

oilRococoportraitportraitfiguremanclothinghistoricalbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, capturing likeness, and rendering skin tones and fabric folds. It also provides practice in creating a sense of depth and atmosphere through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, paying attention to the placement of the head, shoulders, and features.

  2. step 02

    Establish the background color with a thin wash of burnt umber and red, creating a warm, dark tone.

  3. step 03

    Block in the main areas of the face with light and shadow, using a limited palette of white, yellow ochre, and burnt sienna.

  4. step 04

    Refine the facial features, paying close attention to the eyes, nose, and mouth. Use subtle value changes to create form and depth.

  5. step 05

    Paint the hair with loose, flowing strokes, using a mix of white, gray, and yellow ochre.

  6. step 06

    Block in the dark areas of the coat and the white of the cravat, establishing the overall value contrast.

  7. step 07

    Add details to the clothing, such as the buttons and folds of the fabric.

  8. step 08

    Make final adjustments to the values and colors, ensuring that the painting has a sense of unity and harmony.

color palette

primary · titanium white · burnt umber · yellow ochre · cadmium red

secondary · ivory black · raw sienna

Skin tones are achieved by mixing white, yellow ochre, and a touch of red. Darker tones are created by adding burnt umber or black. The background is a blend of burnt umber and red, thinned with medium.

techniques

  • ·portraiture
  • ·value studies
  • ·blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details and losing the overall sense of form.
  • →Using too much paint and creating a muddy effect.
  • →Failing to establish a strong value contrast.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (titanium white, burnt umber, yellow ochre, cadmium red, ivory black)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Palette knife

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West