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home·artworks·Calvary Triptych (Right panel)
Calvary Triptych (Right panel) by Hugo van der Goes

plate no. 5868

Calvary Triptych (Right panel)

Hugo van der Goes, 1468

oil, woodNorthern Renaissancereligious paintingfigureslandscapeskymountainsreligious scenecross
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and atmospheric perspective. It also provides practice in creating a complex composition with many elements.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and placement of figures.

  2. step 02

    Block in the basic shapes and colors of the landscape and sky.

  3. step 03

    Begin painting the figures, starting with the larger forms and gradually adding details.

  4. step 04

    Pay close attention to the drapery and folds in the clothing.

  5. step 05

    Use glazing techniques to build up depth and luminosity in the colors.

  6. step 06

    Add details to the faces and hands of the figures.

  7. step 07

    Refine the landscape and sky, paying attention to atmospheric perspective.

  8. step 08

    Add final details and highlights.

color palette

primary · red · blue · green · brown

secondary · yellow · white · ochre

Achieve the muted tones by mixing complementary colors and using thin glazes. Create variations in skin tones by mixing red, yellow, white, and a touch of blue.

techniques

  • ·glazing
  • ·figure drawing
  • ·drapery rendering
  • ·atmospheric perspective
  • ·layering

common pitfalls

  • →Overworking details too early
  • →Incorrect proportions of figures
  • →Muddying colors by overmixing
  • →Ignoring atmospheric perspective

materials

surface · wood panel

required

  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (small round, flat)
  • ·canvas panel or wood panel
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Using a smooth, primed wood panel will help achieve the smooth finish characteristic of Northern Renaissance paintings.

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