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home·artworks·Calvary Triptych (left wing)
Calvary Triptych (left wing) by Justus van Gent

plate no. 6348

Calvary Triptych (left wing)

Justus van Gent, 1468

oilNorthern Renaissancereligious paintingfigureslandscapemountainsskytreesreligious scene
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and atmospheric perspective. It also provides practice in creating a complex composition with multiple focal points.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and landscape elements, focusing on proportions and placement.

  2. step 02

    Establish the background sky and distant mountains, using thin washes of color to create atmospheric perspective.

  3. step 03

    Block in the larger shapes of the figures and their drapery, using simplified color masses.

  4. step 04

    Develop the landscape elements, adding details to the trees, rocks, and foliage.

  5. step 05

    Refine the figures, paying close attention to anatomical accuracy and facial expressions.

  6. step 06

    Add highlights and shadows to create depth and volume in the drapery and figures.

  7. step 07

    Work on the details of the clothing, such as the folds and textures.

  8. step 08

    Add final details and glazes to unify the painting and enhance the colors.

color palette

primary · ultramarine blue · vermilion · yellow ochre

secondary · viridian green · ivory black · titanium white

Achieve the muted tones by mixing complementary colors and using white to create tints. Use glazes of transparent colors to build up depth and luminosity.

techniques

  • ·glazing
  • ·figure drawing
  • ·drapery rendering
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Getting lost in the details too early before establishing the overall composition.
  • →Using colors that are too bright or saturated, which can detract from the painting's overall harmony.
  • →Failing to create a sense of depth and atmosphere in the landscape.
  • →Incorrect proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·damar varnish
  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.

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