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home·artworks·Calvary Triptych
Calvary Triptych by Hugo van der Goes

plate no. 4308

Calvary Triptych

Hugo van der Goes, 1468

oil, woodNorthern Renaissancereligious paintingfigureslandscapereligious sceneskymountainscross
advanced study

Recreating this painting would help students develop skills in figure drawing, composition, and color mixing to achieve realistic skin tones and drapery. It also encourages careful observation and attention to detail in rendering complex scenes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to map out the overall composition and placement of figures.

  2. step 02

    Divide the canvas into three sections corresponding to the triptych panels.

  3. step 03

    Begin by blocking in the background landscape with broad strokes, establishing the horizon line and major landforms.

  4. step 04

    Sketch the figures in each panel, paying attention to proportions and poses.

  5. step 05

    Apply base colors to the figures and clothing, gradually building up layers of detail and shading.

  6. step 06

    Mix and apply skin tones, using subtle variations to create depth and realism.

  7. step 07

    Add details to the clothing, faces, and landscape, using smaller brushes and finer strokes.

  8. step 08

    Glaze the painting with thin layers of color to unify the composition and enhance the overall effect.

color palette

primary · ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · viridian · yellow ochre · ivory black

Mix various shades of skin tones using white, ochre, red, and a touch of blue or green. Achieve depth in clothing by layering dark and light shades of the primary colors.

techniques

  • ·layering
  • ·glazing
  • ·scumbling
  • ·figure drawing
  • ·atmospheric perspective

common pitfalls

  • →Overworking details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurate proportions in figure drawing.
  • →Muddying colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas (large)
  • ·oil paints (ochre, ultramarine blue, burnt umber, titanium white, cadmium red, viridian, yellow ochre, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (small round, small flat, medium flat)
  • ·palette knife

optional

  • ·damar varnish
  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

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