
plate no. 3812
John Martin, 1840
This painting offers a great opportunity to practice atmospheric perspective and creating depth through value changes. Students can learn to simplify complex scenes and suggest details rather than rendering them precisely.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the city, crosses, and figures.
Establish the dark background using a mix of dark browns and blues.
Begin blocking in the city with lighter shades of brown and gray, paying attention to the perspective.
Paint the sky with a blend of blues, grays, and hints of red to create a dramatic effect.
Add the crosses and figures, focusing on their silhouettes and basic forms.
Introduce highlights on the figures and the city to create focal points.
Refine the details of the figures and the city, adding subtle variations in color and texture.
Add final touches to the sky and background to enhance the overall atmosphere.
color palette
primary · burnt umber · ivory black · titanium white
secondary · ultramarine blue · cadmium red light · yellow ochre
Achieve the dark, moody tones by mixing burnt umber and ivory black. Use titanium white to create highlights and lighter shades. Mix ultramarine blue and burnt umber for the dark sky. Add small amounts of cadmium red light to create the reddish glow in the sky and on the figures.
techniques
common pitfalls
surface · stretched canvas
required
optional
Using a toned canvas (e.g., a light brown or gray) can help establish the dark mood of the painting more easily.
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