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Calvary by Albrecht Altdorfer

plate no. 0401

Calvary

Albrecht Altdorfer, 1526

oil, woodNorthern Renaissancereligious paintingcrucifixionfigureslandscapeskytreessoldiers
advanced study

Recreating this painting will develop skills in depicting complex scenes with many figures and mastering atmospheric perspective to create depth. Students will also learn to mix realistic skin tones and render drapery.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of the main figures and crosses.

  2. step 02

    Block in the background landscape, paying attention to the atmospheric perspective, with distant elements appearing lighter and less detailed.

  3. step 03

    Roughly sketch the figures, focusing on their poses and proportions.

  4. step 04

    Start adding details to the figures in the foreground, working from general shapes to specific features.

  5. step 05

    Develop the drapery, paying attention to the folds and shadows.

  6. step 06

    Refine the skin tones, using layers of glazes to achieve realistic color variations.

  7. step 07

    Add details to the soldiers and other figures in the middle ground.

  8. step 08

    Finish by adding highlights and shadows to create depth and dimension throughout the painting.

color palette

primary · burnt umber · yellow ochre · titanium white · ultramarine blue

secondary · cadmium red · viridian green · ivory black

Mix skin tones using yellow ochre, burnt umber, and titanium white, with small amounts of cadmium red for warmth. Achieve atmospheric perspective by adding white and blue to background colors.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Overworking the skin tones and losing the subtle color variations.
  • →Ignoring the importance of light and shadow in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, yellow ochre, titanium white, ultramarine blue, cadmium red, viridian green, ivory black)
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

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