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home·artworks·Butcher's Stall with the Flight into Egypt
Butcher's Stall with the Flight into Egypt by Pieter Aertsen

plate no. 3824

Butcher's Stall with the Flight into Egypt

Pieter Aertsen, 1551

oilNorthern Renaissancestill lifemeatstill lifefiguresmarketfoodlandscape
experienced study

Recreating this painting will help students develop skills in rendering realistic textures, complex compositions, and atmospheric perspective. It also provides practice in painting a wide range of materials and surfaces.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of major elements.

  2. step 02

    Block in the main shapes and colors of the background landscape, paying attention to atmospheric perspective.

  3. step 03

    Establish the dark and light values of the architectural structure, creating depth and form.

  4. step 04

    Start painting the larger pieces of meat, focusing on accurate color mixing and rendering of textures.

  5. step 05

    Gradually add smaller details and objects, such as the sausages, fish, and pottery.

  6. step 06

    Pay close attention to the highlights and shadows to create a sense of volume and realism.

  7. step 07

    Refine the details and textures of each object, using small brushes and careful brushstrokes.

  8. step 08

    Add final glazes to enhance the colors and create a sense of depth.

color palette

primary · raw umber · burnt sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Achieve the fleshy tones by mixing reds, browns, and whites. Use blues and grays to create the cool tones in the fish and metal objects. Create depth in the background landscape by layering diluted washes of blues and greens.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Failing to accurately render the textures of the different materials.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Ignoring the importance of value contrast in creating depth and form.

materials

surface · stretched canvas

required

  • ·Stretched canvas (24x36 inches)
  • ·Oil paints (raw umber, burnt sienna, ivory black, titanium white, cadmium red, yellow ochre, ultramarine blue)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil
  • ·Turpentine
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base for the painting.

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oil painting for beginners →how to learn by studying the masters →
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