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home·artworks·Bustard and Guinea Hen
Bustard and Guinea Hen by Jean-Baptiste Oudry

plate no. 9477

Bustard and Guinea Hen

Jean-Baptiste Oudry, 1739

oil, canvasRococoanimal paintingbirdsfoliageurnarchitecturelandscape
some experience helpful

Recreating this painting will help students develop skills in rendering textures like feathers and stone, as well as understanding atmospheric perspective and creating depth through value variations. Students will also learn to mix subtle color gradations to create realistic forms.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the birds and the urn.

  2. step 02

    Establish the background with broad, blended strokes, creating a sense of depth.

  3. step 03

    Block in the main shapes of the birds, paying attention to their proportions and posture.

  4. step 04

    Begin layering colors on the birds, building up the textures of the feathers.

  5. step 05

    Paint the urn and the stone structure, capturing the light and shadow.

  6. step 06

    Add details to the foliage and ground, creating visual interest.

  7. step 07

    Refine the details of the birds' features, such as their eyes and beaks.

  8. step 08

    Add final highlights and shadows to enhance the overall realism.

color palette

primary · raw umber · ivory black · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue · cadmium yellow

Achieve the subtle grays and browns by mixing ivory black, raw umber, and titanium white. Use burnt sienna and yellow ochre to create the warm tones in the feathers and urn. Add small amounts of ultramarine blue to darken shadows and create cooler tones.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·blending
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·rags

optional

  • ·painting medium
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paint.

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