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home·artworks·Brooklyn Bridge
Brooklyn Bridge by George Luks

plate no. 7557

Brooklyn Bridge

George Luks, 1916

oil, canvasNew Realismcityscapebridgebuildingssnowcityscapesky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and using a limited color palette to create a cohesive mood. It also encourages loose, expressive brushwork to capture the essence of the scene.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the bridge, buildings, and foreground, paying attention to perspective.

  2. step 02

    Establish the overall dark, muted background using a mix of browns, blues, and grays.

  3. step 03

    Block in the larger shapes of the buildings with darker values, leaving space for highlights.

  4. step 04

    Add the snow-covered roofs and foreground using a mix of white, gray, and touches of yellow.

  5. step 05

    Introduce the red building as a focal point, using a slightly brighter shade of red.

  6. step 06

    Add details like windows, shadows, and highlights with small, deliberate brushstrokes.

  7. step 07

    Soften edges and blend colors where needed to create a sense of atmosphere.

  8. step 08

    Add final touches of light to suggest the glow of city lights.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · ultramarine blue · yellow ochre

Mix raw umber and ultramarine blue for the dark, muted sky. Use white to lighten values and create snow effects. Add a touch of yellow ochre to the white for warmer highlights.

techniques

  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·limited palette
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, expressive feel.
  • →Making the colors too bright and losing the muted, atmospheric effect.
  • →Ignoring the subtle value shifts that create depth.
  • →Not establishing a strong focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-textured canvas to enhance the brushwork. Consider using a quick-drying medium to speed up the drying time.

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oil painting for beginners →how to learn by studying the masters →
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