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home·artworks·Brook Study at Warwick
Brook Study at Warwick by David Johnson

plate no. 2163

Brook Study at Warwick

David Johnson, 1873

oilRomanticismlandscapeforestrockstreesstreamfoliagelandscape
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, and understanding atmospheric perspective in a forest setting. It also provides practice in rendering complex rock formations and foliage.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the rocks, trees, and overall composition, paying attention to perspective.

  2. step 02

    Establish the dark and light areas with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Begin layering in the greens of the foliage, varying the shades and tones to create depth.

  4. step 04

    Add the warmer colors to the rocks and ground, using a mix of browns, ochres, and reds.

  5. step 05

    Develop the details of the rocks, using dry brush techniques to create texture and highlights.

  6. step 06

    Paint the trees, paying attention to the direction of light and the cast shadows.

  7. step 07

    Add the small details of the stream and any small plants or flowers.

  8. step 08

    Refine the overall composition, adjusting values and colors as needed to create a sense of depth and atmosphere.

color palette

primary · viridian green · burnt umber · yellow ochre

secondary · cadmium red · titanium white · raw sienna

Mix greens by combining viridian green with yellow ochre and burnt umber. Create variations in the rock colors by mixing yellow ochre, burnt umber, and titanium white. Use titanium white to lighten colors and create highlights.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Creating too much contrast and making the painting look harsh.
  • →Not paying attention to the direction of light and the cast shadows.
  • →Failing to create a sense of depth and perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (viridian green, burnt umber, yellow ochre, cadmium red, titanium white, raw sienna)
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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